The Very Best of the Activist’s Muse

As I started submitting fewer and fewer posts to The Activist’s Muse, a blog I published through The Fruition Coalition for about  year, I also started to think about preserving what I had written so that I would have a way to recant those moments in my old age. So with a bit of sadness for what has ended, at least for now, but also with great optimism for what is to come in the future, I have put together The Best of The Activist’s Muse, an archive of the blog’s highlights from 2012 to 2013.

40 for 40 #1: Joan Osborne

Last summer, when listening to various tracks on my MP3 player while on a road trip, my mother mentioned that she loved Joan Osborne’s Right Hand Man and One of Us which she had never heard before. When I first heard her Relish album at 20 years old, I fell in love Joan’s almost paradoxical combination of soulful stirring and playful irreverence — something with which I could deeply relate. So this spring, I decided to see Joan in concert, and I took my mother with me. It is interesting that there comes a time when it is acceptable, even desirable, to share remnants of youthful rebellion with a parent.

There we sat, in the front row of the balcony in a small, intimate venue, after nearly another 20 years of my life had passed. Needless to say, she was amazing as was her musical partner Keith Cotton. It was there that I was introduced to Raga (inspired by Dorianne Laux’s equally beautiful poem, The Shipfitter’s Wife), the best working class love song written since Bon Jovi’s Livin’ on a Prayer, during which I broke down and wept — and to my second favorite new song on her newest album, Work on Me. I felt as though I had neglected an old friend with whom I grew up, as I had not listened to her music much in those almost 20 years, and was so grateful that we had the chance to become reconnected. My appreciation for her work has truly blossomed as much as I have over the years.